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Brigitte Bardot - Beyond the Age Bar - by Bill Harry

 

 

 

Brigitte Bardot - Beyond the Age Bar -  By Bill Harry


Brigitte Bardot, now in her Sixties, is one of the most beloved stars cinema has ever produced. An icon of the Sixties, BB rivalled Marilyn Monroe in glamour despite the fact that she turned her back on filmmaking at an early stage in her career.

 

  


 

Brigitte Bardot is arguably the most potent female movie star, after Marilyn Monroe. Her appeal has been imitated for over three decades, with contemporary supermodels such as Claudia Schiffer adopting the Bardot image.

 

Even now, BB remains a Hollywood icon – despite the fact that she terminated her film career almost 30 years ago. Now she lives, not in Beverly Hills , but in her native France where she works to protect animals and insists on keeping her life private.

 

In the Sixties, Bardot was regarded as one of the most alluring screen stars – but she lacked confidence in her looks. When she entered films she said, “My nose is a very bad nose. It is not shaped well. When I meet a man, it wrinkles up as though I were sniffing a bowl of milk. My mouth is not a good mouth; the lower lip is heavier and more swollen than the other.”

 

Director Roger Vadim, who ‘discovered’ Bardot and then married her, recalled coming home to see his wife on her 21st birthday, only to find her in tears in front of a mirror, saying she was ugly and hideous.  

 

 

 

 

 

 

 

Years later she still denigrated her features, saying her mouth was too large, her eyes too small, her cheeks too round, adding, “I have never thought I was beautiful, even when I was at the height of my fame.”

 

Bardot was born in her parent’s apartment in Paris, and was named Brigitte after a doll her mother had when she was a child. Wearing wire-rimmed spectacles and nicknamed Bri-Bri by her family, she attended a private school for young ladies until she was 16. Her French and Latin teacher, Pierre-Marie Quervelle said she was “a terrible student, bottom of the class,” and added, “She won’t go anywhere.”

 

Brigitte appeared on the front cover of Elle magazine in France on 2 May 1949 when she was only 14, although her mother requested that her name not be used. The initials BB were used for the first time.

 

French director Marc Allegret spotted the cover and considered she had potential. He instructed his assistant Roger Vadim to write to her parents requesting a screen test. Her parents would have refused, but her grandfather told them, “Going into films will not make her a lost child.”

 

Vadim arranged a screen test for a projected film called ‘The Laurels Are Cut’, which never got made. But Vadim was convinced of his protégé’s star quality. “Two things struck me about her. First, her style…the way she would walk, move, look at people, sit….She was also, for a little bourgeois, in a certain way very revolutionary. She would approach life, any kind of problem, with a really free mind.”

 

Vadim and Bardot married in 1952, after which the up-and-coming director got to work on her career, sending her to Rene Simon’s drama school, which led to her finding roles in her first two films.

 

Brigitte made her film debut in ‘The Norman Hole’ in 1952. “My first film – it was terrible!” she said. Her second film ‘Manina, Girl Without A Veil,’ also in 1952, disappointed her as well. In fact, she decided to get out of films.

 

She said, “What had I got that no one else had got? Why should I succeed? Millions of girls far better than me have failed.”

 

What made her persevere was the presence of Vadim. She said, “Vadim changed my mind. Vadim was the only man who was certain I had something special to offer on the screen. I marvelled at his confidence and laughed at his conceit. His trust gave me fresh hope. I would do whatever he told me….I placed myself entirely in his hands.  

 

 

 

 

     

 

 

 

“We went back to the beginning and he taught me how to speak, how to remember my lines and tried to show me how to act. Love was the driving force. The experience improved and rewarded me.”

 

Vadim continued shaping BB’s career, determined to make her an international star. The major breakthrough came when he directed her in ‘Et Dieu Crea la Femme’, (And God Created Woman), filmed at a small fishing village, St Tropez. Although the movie was initially a flop in France , it created a sensation abroad and established her name.

 

But as fame grew, Roger and Brigitte’s private life fell apart. During the filming of ‘And God Created Woman’ she began a relationship with her co-star Jean-Louis Trintignant, while Vadim moved in with Danish actress Annette Stroyberg who gave birth to his daughter the day after he divorced Bardot.

 

There were scores of offers to appear in Hollywood films, which Bardot refused, although her name continued to attract headlines – particularly due to her relationships and suicide attempts.

 

She had initially tried to kill herself at the age of 15, but her mother had a presentiment and returned home early to find her daughter with her head in the gas oven. The day after her 26th birthday she swallowed an entire jar of sleeping pills and cut her wrists – she would have died but a 13-year-old girl found her lying in the garden.

 

She had a relationship with guitarist Sacha Distel but although she said, “He has brought music into my life,” the relationship didn’t last and in 1959 she married Jacques Charrier, her co-star in ‘Babette Goes To War.’ On 11 January 1960 she gave birth to a boy, Nicolas Jacques Charrier, but when she was divorced in 1962 she allowed her ex-husband to have custody of her son. In 1966 she married millionaire Gunther Sachs and they were divorced in September 1969.

 

Despite the fact that they had divorced, Vadim continued directing her in several further films, none of which had as much impact as the first. Arguably, apart from ‘And God Created Woman’, her most outstanding films were ‘La Verite, En Cas De Malheur’, based on a Simenon story and co-starring Jean Gabin and ‘Viva Maria.’

 

Bardot generally expressed dissatisfaction with her film career, threatening to abandon it on several occasions and finally did so in 1973 after completing her 48th film, ‘The Gay and Joyous Story of Colinet.’

 

“This will be my final film,” she said and retired to St. Tropez, the setting of her first major movie hit, which had become a popular resort due to the film.

 

Since then, the reclusive star has devoted her time to animal welfare, shunning publicity and refusing all offers to make a comeback.  

 

 

 

        


 

Many thanks to Bill Harry for this article

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